The direct conduction of water is the depiction of the dynamics of gravity, and the container like building is the shaping of the static state of gravity.
The formal logic of the roof is dominated by two natural elements, gravity and rain.
With the development of modern materials and mechanics, natural elements are no longer the dominant form of the roof.
▲ the waterway penetrates the concrete slab downward © Zhao Yilong ▲ linear waterway © Zhao Yilong 3.
Here, we call it Shunshui Six Formula: ▲ model © To build ▲ two separate village houses are covered with a large roof © Tang Xuguo ▲ looking at the rain house from the courtyard © Zhao Yilong ▲ night view © Tang Xuguo ▲ path © Zhao Yilong ▲ the roof is supported by columns © Tang Xuguo 1.
Two separate village houses are covered with a large roof.
Under the eaves, in the heart, leave a landscape.
Gravity is the eternal law of all things, and rain is the natural thing that changes all the time.
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▲ Pavilion room indoor © The “Sichuan House” designed by Tang Xuguo in 2016 frankly reveals the metal downpipe on the building facade to form the metaphor of “river flowing down”, which is the first attempt to explore the explicit expression of gravity and rain.
“Rain house” is a further discussion on gravity and rain, not only the “exposure” of form, but also a careful intervention in nature: “if you want to take it, gather it first; if you want to tame it, obey it first.” ▲ rain house indoor © Tangxuguo ▲ guest room © Tang Xuguo ▲ interior details © Tang Xuguo ▲ appearance details of rain house © Tang Xuguo ▲ night view © Tang Xuguo ▲ construction photo © Construction project drawings and models ▲ models © First floor plan of Lai Building ▲ © Plan of ▲ second floor of Lai Building © Plan of ▲ third floor of Lai Building © Incoming building ▲ elevation © Name of the project: rain house owner: Tonglu · weichi · Qianshan boutique B & B Designer: Lai architectural design studio project type: B & B hotel geographical location: Heling village, Tonglu County, Hangzhou City, Zhejiang Province presiding Architect: Ma Dao Project Architect: Fan Yu design team: Fan Yu, Liao Qixian, Zhang Ying Photography: Zhao Yilong, Tang Xuguo Fan Yu structure: reinforced concrete frame structure & steel structure land area: 412.61m ² Building area: 1081.63m ² Design cycle: September 2019 – December 2020 construction cycle: October 2019 – October 2021 copyright © Www.good.cn, welcome to forward it.
Water is invisible and tangible, soft and strong.
thank To architectural design studio Sharing the good roof is the connection between the building and the sky, an important shelter for space, and also the core element of the building.
Containers can depict the shape of water, and gravity can push the force of water.
This most simple way of falling is the original form of free released water.
▲ continuous roof with water waveform © Zhao Yilong ▲ elevation © Zhao Yilong ▲ balcony space under eaves © Zhao Yilong 2.
▲ water scattered along the eaves © Tang Xuguo 5.
Architecture shows a powerful and incomparable human result and becomes more and more like a machine.
Water crossing bridge is a poetic artifact, connecting and crossing: crossing streams, ponds and layers, which is a linear connection between space and body level.
▲ general layout © To build rain, it is water falling due to gravity.
Water is invisible and tangible, soft and strong.
A static movement is reduced to the formula of universal gravitation by Newton, because architecture can present a variety of deduction proofs.
Stepping on the water is on the second floor of the building.
A static movement is reduced to the formula of universal gravitation by Newton, because architecture can present a variety of deduction proofs.
The circular steps in the pond need to be prepared to cross, just like stepping on the water in the field to avoid the puddles on rainy days.
The diversion is an inverted curved canal.
In the design, the waterway penetrates the concrete slab downward to show the power of water.
The path must pass through a pond.
The roof is supported by columns, and rainwater can be guided to the ground in various ways and paths, forming an invisible and tangible confrontation.
▲ aerial view of the project © Tang Xuguo © Zhao Yilong ▲ facade of rain house © Tang Xuguo’s philosophy of architecture is not so.
© Tang Xu Guoyu is the water falling due to gravity.
The Sichuan waterway rushes down along the vertical direction to form the most powerful dredging.
▲ appearance of rain house © Tang Xuguo ▲ rain house and surrounding buildings © Tang Xuguo rain house is located in the middle of the mountain far from the city, surrounded by bamboo forests and farmland.
Lift the water to lift the roof high, or stand up from the ground or support from the wall.
“Dripping water wears away stone” is an ancient image describing water power.
The shape of the canal is the shape of water, and the direction of the canal is to divert water.
▲ gap and Bridge under eaves © Zhao Yilong has a mountain Pavilion on the top floor of the rain house, which connects the distant mountain with his body.
Containers can depict the shape of water, and gravity can push the force of water.
The resistance to gravity and the diversion of rain determine the form evolution of the roof.
Architecture is not driving away nature, but mutual acceptance of the unity of heaven and man: guiding the wild of nature and taking full care of the vitality of nature.
The roof with continuous water wave shape is a water guiding container, which gathers the originally evenly falling raindrops into a linear waterway.
▲ pond © Tang Xuguo 4.
Apron water is scattered directly along the eaves from the half floor roof and falls into the pond.
The direct conduction of water is the depiction of the dynamics of gravity, and the container like building is the shaping of the static state of gravity.
The geometric purity of the form and the sense of manual operation of the form (cutting, twisting…) show the ambition of modern people.
▲ circular stepping © Zhao Yilong ▲ tile curtain details © Zhao Yilong ▲ wall and window opening details © Zhao Yilong 6.
