It uses traditional tools to carve delicate geometric lines on the dial or splint.
“This is the only wooden temple of Tang Dynasty that we have investigated for many years.
The flow of time directly leads to the sense of deconstruction of spatial form and stronger fluidity rather than firmness.” Zhuang Ziyu said so.
Inheriting the core values of tradition and bringing forth the old and bringing in the new, glash ü TTE original grasuti’s original new eccentric movement inverted watch turns the architectural dome of Dresden Academy of fine arts into inspiration and falls on the dial.
“The biggest feature of Chinese projects is the rapid iteration and continuous renovation of prototypes and characteristics.
After combining the German technology orientation and careful thinking process, Zhuang Ziyu believes that the current design work has both Oriental romantic and contemporary conceptual values.
Since 1994, the church has used 43% of the raw materials from the ruins, and it took 11 years to complete the reconstruction.
When the light flows on its surface, the undulating lines and exquisite three-dimensional patterns reflect the brilliance from multiple angles and shake the posture.
Zhuang Ziyu, an architect and founder of buzz architecture firm, believes that “its own design cycle, production cycle and use survival cycle are very long.” As a studio with cross-cultural background and practical experience, from Buzz’s current projects in China and Germany, we can experience the differentiated performance caused by different attitudes towards time.
The properties of houses also change in people’s eyes – buildings have a state of life, breathing, circulation and metabolism.
Since its establishment, Chinese traditional architecture has no eternal purpose.
The tradition spans time and is condensed into the futuristic appearance of the watch.
The Academy of Fine Arts in Dresden, which is close to the Church of Notre Dame, has a golden glass dome reflecting light on the city skyline, which together with the Church of Notre Dame constitute the city landmark of Dresden.
Some exquisite, boutique and community-oriented houses carry out a fine design of use and convenience.” Chengdu huajiantang Hotel © Buzz Zhuang Ziyu studio photography: compared with western architecture, the concept of architectural construction and architectural continuity in Wang hall is different in China.
With a vision similar to Philosophy and following the synaesthesia consciousness domesticated by ancient philosophy, people observe and experience the unity of themselves, foreign objects and things and me.
Creative talents are constantly cultivated in art subjects such as painting, art technology and drama.
In the view of creation, it adheres to the idea of “although it is made by man, it is like opening from heaven”, which is opened from heaven.
“The East’s interpretation of form is usually not as strong as the West requires architecture to be like a mountain.
In the west, temples or buildings with religious attributes are generally built of stone, and the congenital conditions are easier to realize the possibility of lasting for thousands of years.
This is the oldest college in Dresden.
Dresden Academy of fine arts “architecture is a work about time”.
It is indeed a rare treasure in the physical relics.” As the main material of Chinese traditional architecture, wood structure will deform and decay with time, the four seasons change, the circulation of characters, or the destruction of external forces, which makes it difficult for Chinese architecture to survive for a long time.
Zhuangzi yupeidai glash ü TTE original grasuti’s original panofinverse eccentric movement inverted Watch Limited Edition.
Spiritual architecture is a common need across the region of human beings, stacking or looking up, touching or carving, walking into the architecture for spiritual dialogue and exploring the meaning of Philosophy in objects.
In the construction logic of architecture, the formation of the dome actually “comes from its structure, because the interior needs corresponding long-span space”, and the religious attribute and the cultural value given to it by later generations “is a formal by-product of the spatial structure”.
Jilou decorative pattern is a semi mechanized carving pattern originally loved by glash ü TTE original grasuti.
It is not only the first treasure of domestic ancient architecture…
The meaning of this “spiritual building” covers buildings, installations and craft products of various scales.
Therefore, all things change constantly with the laws of heaven.
The process of repairing a church is also a process of tracing back and extracting time to soothe the wounds suffered by the city and people.
Chengdu huajiantang Hotel © Buzz Zhuang Ziyu studio photography: there is a common nature of architectural integration, which occupies an important position in Chinese culture.
The church was built in 1726 and completed in 17 years, but was destroyed by the fire of war in 1945.
Although it is related to the use of building materials determined by region, it also depends on the philosophical differences between China and the West on eternity and the relationship between things and me.
German projects are relatively more traditional.
In 1953, Liang Sicheng explored the Foguang Temple of Tang architecture in Wutai Mountain.
In addition to the differences of architectural entities, the attribute pursued by art has always been the important characteristic of mobility and sustainability.
The unique relief structure diagram of the dome is reproduced as exquisite floating abalone decorative patterns in glass and fine steel, which is exposed on the three-quarters splint of the dial.
In Chengdu Longquan Mountain high altitude restaurant, Linpan Pavilion, Chengdu Huajian hall, Nanjing Hyatt Zhenxuan Hotel and other projects, we can see the Oriental narrative structure and the form of winding flow..
The ultimate ideal of ancient Chinese people was to abandon nature and contract everything.
In the old city of eastern Germany, there is a building reborn from the ruins – the Church of the virgin of Dresden.
In terms of construction, select materials and construction methods that are interconnected with ecology and can achieve good ecological cycle; In use, strive for the circulation of indoor and outdoor space.
Oriental architecture, like the mountain shape in painting, is constantly flowing, as if time is not a solidified state.
