Therefore, in addition to this ardent expectation, the owners can’t help but dress up their doors carefully.
There is an ancient poem written by Liu Changqing that “at dusk, the mountains are far away, the sky is cold, and the White House is poor.
What’s more, they have to build tombs into extraordinary and superior people.
“The house takes the gate as the crown belt”, so the gate of the imperial palace is dignified and sacred.
Wormwood and Acorus calamus hung at the Dragon Boat Festival gate, Cornus wine sprinkled at the Double Ninth Festival gate, the “winter solstice circle” made of glutinous rice powder adhered to the door of the winter solstice, and the whole streets are filled with a sweet atmosphere of reunion…
Whether it is Guangliang gate or Jinzhu gate, the space in front of the door is also carefully arranged.
Dignitaries pay attention to the tall and gorgeous door.
The Royal people need a facade to support them.
Through those expressions, you can see the rank of the family, the warmth of human relations, and see the big world.
During the Qingming Festival, the willow branches are tied on the doorrings and inserted between the doors.
Years and emotions accumulate in the door.
People at home are waiting, while people outside the door are watching.
The newly pasted couplet Fu characters decorate the door in a noisy way.
MuQing’s note facade originally refers to the store house and the part along the street, that is, the appearance of the store.
Between the pink walls and black tiles, the eaves and corners raised by the gatehouse are intended to be swift wings.
As Lin Qingxuan said, “the deep meaning of life practice is infinite gratitude, compassion and commitment.
Before entering the door, the people who come and go engrave their impression on the door in their hearts.
The red lanterns of the Spring Festival have long been hung on both sides of the door.
The beast’s head with a ring or the shop head in the shape of a pure lotus, the words on the plaque hanging high at the head of the door, and the auspicious patterns painted with color paint on the door all repose the desire of guarding the town’s house and ward off evil spirits and seeking happiness.
The cool face of the Lord is the shelter of the wind and rain.
Finally, I want to talk about chaimen.
One family, two doors, year after year.
With the passage of time, the gate has long been not only a gateway for access, but also carrying more wishes and expectations.
Through the warmth on the door, you can see that the people behind the door are cherishing time and working hard.
Further extension, for example, there is a sentence in Volume 14 of the second quarter surprise: “it’s also your appearance to be honest with the officials and show off your ugliness.” There is dignity, face and face here.
Chinese people are good at face, and facade aesthetics has become a common practice.
This door is more like a silk paper recording the time of life, and a trivial daily note.
When the wind blows, the rustling sound of the thin leaves seems to be that it whispers the song of “the willow is green, the rain is cloudy, the willow is dry, and the sky is clear”.
However, nouns are gradually used as verbs, which is the characteristic of Chinese language.
The most elegant must be the door of the garden.
The feelings on the door are delicate and romantic.
The firewood door hears the barking of dogs, and the wind and snow return at night”.
The door of the streets and alleys is the most lively.
The literati gave the poetry, calligraphy and painting in their belly here.
Spring can’t be closed all over the garden, and a red apricot comes out of the wall”.
The door of the palace city is not angry and self threatening.
The flower pendant door in the quadrangle, which separates the front yard from the back house, has eaves and columns that do not fall to the ground, and the hanging beads are carved into flower buds.
Push open the Chinese door and count together.
The aesthetic meaning is self-evident.
On the distant land, different environments and long years have shaped doors with different characteristics in different regions.
To implement it is to walk gently and live with your heart”.
The strict grade and exquisite decoration distinguish it from the houses of ordinary people.
There are four or two houses of the “golden gatehouse” in Huizhou.
It has both original meaning and extended meaning.
Who would say that chaimen is not a scenery at this time? Perhaps, there is the original scenery and simple facade aesthetics here—— The gate of Mu Qing’s house was painted into a dignified vermilion; Garden entrance, sitting together with the bright moon and breeze into a scene; At the gate of the temple, the sound of bells and chimes is heard.
There is also ye Shaoweng’s “pity clogs, teeth printed with moss, small buckles of firewood can’t open for a long time.
Go further, or Tourism – the facade is a landscape.
People in the family are waiting, while people outside the door are watching.
It is said that in ancient times, the Chao family “built a wood as a nest to avoid group harm”.
The door of the garden is leisurely and elegant.
Their thoughts flew into the door of the moon cave, looked at a cloud at leisure, thought about a fist stone, and lived idly to nourish their Qi..
The chaimen in the mountain villages have a detached look.
It’s not just the face of the building.
Is it Magnolia officinalis, or is it beautiful and meaningful? One side of soil and water nourishes one side of people, and one side of people makes another side of things.
Depending on whose door gods are Qin Qiong and Yuchi Gong, and whose house is pasted with four auspicious heavenly daughters holding “incense, flowers, lamps and fruits”, you can see the wishes of the family at a glance.
The door god of the nobility is lively.
The caves in the Northwest Plateau will breathe thousands of times from the arched cave door, blowing the strong wind over the loess.
Especially when it comes to traditional festivals and solar terms.
Li Yu, a dramatist in the Qing Dynasty, said in his “Qiao Tuan Yuan Jing Yu”: “this house has a tall facade and must be a township official family.” Here, the facade has evolved into a decorative facade, otherwise, there will be no facade.
The face door is the face of the building.
Since then, the “door” has appeared in life to shelter us from the wind and rain and provide protection.
Needless to say, the Forbidden City is magnificent; The official houses in ancient Huizhou are also exquisite and unique, so that the Xuguo memorial archway and Tangyue memorial archway group in the ancient city of Shexian County, or the performance of merit or filial piety, are all big facade, big scene and big face.
It is not only houses and faces, but also face when they die – so there is the saying of old death, that is, when they die, they have to beat gongs and drums.
The door that must be in and out connects the inside and outside, and also carries rich culture.
By now, the gates of ordinary people’s homes have been built with dignity.
The largest Taihe gate in the Forbidden City is nine rooms wide, covered with double eaves and resting on the top of the mountain, and under it are white marble platforms, Liang Fang and other components, which are painted with peace seals, and a pair of bronze lions are guarded in front of the gate.