Originally, people from other origins came here
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What about Qiaofu grassland? With leading environmental protection design and “sustainable development” as the concept, Qiaofu Fangcao makes people stay here happily, whether it is the rich and diversified mass artworks dotted in the transparent space, making it a more artistic and moving place than ordinary art museums, or the most leading brand shops and diversified restaurants in Beijing
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On his first arrival, he was haunted by the beautiful nature of the place
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Therefore, although the style of works like silver house is exaggerated and only experimental, they are trying to let nature into our daily life, which has its own significance
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What is the essence of urban complex space? ——Can respond to and meet a large number of people’s living needs, completely involved in people’s way of life, aesthetic, sensory, emotional needs, living culture..
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It is also a part of his original intention
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Similar expressions continue in different fields
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If you look closer, there is nature in the building – the trees are towering, the green is luxuriant, and the flowers are beautiful
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It is like a “living” building
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Far away from the city, it’s like a small island outside the world, and it’s also the garden of Eden in Toyo Ito’s heart
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Over time, people and this special space will also change with each other in their interweaving
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Among the starry islands on the sea in Seto, silver house, is an island called “big three islands”
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This emotional logic is quite different from the expression of Toyo Ito in the silver house
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People need a full life, so they need the inspiration it brings
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It is true, but meaningless
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This “living” naturally does not appear out of thin air, but comes from the action, consciousness and thinking of the people who come here
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Beijing, Qiaofu grassland, “forest of the future” enters Qiaofu grassland, and the large “forest” on the second floor stands out
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In addition to the beauty and artistry on the surface, when we come to Qiaofu grassland, we can always find many artworks connected with the concept of environmental protection there – “forest of the future” is a typical example
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After all, we can only face nature in a non daily life
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24hours livingarchitecture “in the 20th century, architecture exists as an independent functional body, just like a machine, which is almost separated from nature and plays its function independently, without considering the coordination with the surrounding environment; but in the 21st century, people and architecture need to establish a kind of continuity with the natural environment, which is not only energy-saving, but also ecological and can be coordinated with society.” ——Today, Toyo Ito’s architectural pursuit of harmony with nature is a common architectural design philosophy
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At that time, in Yokohama, Japan, a “wind tower” designed by him, who just came out of the cottage, was born, which also made the architectural designer who won the Pritzker award known to the world
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One of the most interesting ways is to let “nature enter architecture”
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The massive demand for life has already become the bottom line of people’s life, and also related to the most happiness
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In fact, installations like futuristic forest can be classified as “ecological art” in the field of art, which is different from the works of ecological artists such as Ursula Biemann and Neri Oxman
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People are connected with architecture, and architecture is connected with nature
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People who stop or pass by in qiaofufang grassland will feel the circulation of ecology and the vitality of nature
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This experience also fulfills Yidong’s wish: to create a building in which outdoor nature can enter
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This building is very peculiar, which makes people completely unable to think of the appearance of the house
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It has ideas, tendencies and standpoints
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In addition to the aesthetic and practical significance, such architecture also has the “expressive power” – the expression of the fetters between heaven and man, the expression of the desire, awe and expectation that we never lose to nature
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Its way of existence is more practical and concrete than Toyo Ito’s ideas and the ideas of ecological artists
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In other words, let the architecture itself exist in the name of the medium between man and nature
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The introduction of nature into the complex architecture closely related to our life aims to extract a more profound fetter and connection between life and nature.
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In this respect, it fully reflects its high concern for our relationship with nature as always, in addition to supporting people’s lives
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For example, if you go to Qiaofu Fangcao in Beijing recently, you will be deeply impressed by the art installation “forest of the future”, which they are keen to build
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Man made buildings are always abrupt
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Work, making friends, shopping, bookstores, restaurants, home furnishings, cinemas..
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Left: the forest of meditation right: TOD’s biaoshen daodian, this appeal to nature, is also shared by the world
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When I went up to the second floor and looked far away, I found that the whole “forest” is a huge infinite symbol (∞)
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In a clear form, people can feel the “forest of the future” of natural beauty, which perfectly reflects the humanistic care of Qiaofu grassland
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The first characteristic of the appearance of the wind tower is its “variability”: between the aluminum plate of the supporting structure and the acrylic mirror on the tower, there are dozens of ring neon lights and dozens of floodlights at the bottom
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Futuristic forest is not only a work that expresses the concept of environmental protection, but also the essence of “nature” – the nature that can truly enter the scene of life
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So that the wind tower can react to the surrounding environment at any time, has a unique variability
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The light body will change the way of light according to the instantaneous light and decibel
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How to deepen the connection with nature in the existing way of life is the matter for architects to consider space
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For a moment, they were immersed in the green, as if they were in another place
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It can be said that qiaofufang grassland appears between us and the macro environment
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The diamond shaped staggered iron framework forms a light roof, which allows rain, snow and wind to penetrate and sweep on the cheek of the people in the house
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Say, can be said to have a natural “reality” place
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In this way, buildings closely related to human and nature can also be regarded as “ecological buildings” of Edong fengxiong style
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From the use of glass curtain wall, which has a strong sense of humility, to weaken the strength of the building itself; to the active use of various natural elements to inject natural “natural attributes” into the building; to the attempt to collapse the permanence of the building with a more temporary and short-term building, and to dispel the occupation of nature by the building….
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After that, he designed several art galleries and museums on the island one after another, and copied his residence in Tokyo here, named “silver house”
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Silver house some people may say: being in nature is the simplest way to get close to nature directly
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The tower of the wind makes the building change with the external state, which can be regarded as the primary stage for Toyo Ito to establish the connection and continuity between architecture and nature
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However, Toyo Ito’s first practice of similar concepts can be traced back to the 1980s
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In the decades since then, Toyo Ito’s use has become more mature and fruitful Bold way, so that his original intention of creation can be maintained, the more depth and breadth of his architectural philosophy expression
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The “infinite” itself also means the recyclable design of the device: there are several parallel absorption plates on the top of the device, which have transformed the light, water and other energy of the natural world between the multi-color changes of the light, providing continuous life for the plants in the device The source of flowers, also let flowers continue to grow and bloom
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In fact, such a “forest” in the urban complex space has far more significance to us than that
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From the perspective of lifestyle, Qiaofu Fangcao is certainly an elegant and charming complex, but it is not a complete description of “complex”
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