In rural areas where public activities are generally scarce, the regular spontaneous market is not just an activity related to trading.
The local studio has designed several fairs in the countryside of Wugang, Hunan Province, and the Wantouqiao Town Fair is one of them.
Zou Yingxi, the presiding architect, hopes to give meaning to the “moon”, and a round of “the moon that never ends” comes from this.
The place of spiritual healing 04.
Under the universal scaffolding space, a customized space for specific activities is set up.
The architect intends to let the farmers in the market find the familiar place sense of the old market in the new market, and skillfully complete the space transformation from the street market to the street market, so that the rural market, which is the only daily public activity in the countryside, can continue.
Mr.
Architecture is not only inorganic material, but also living history.
This is true of the fair, as is the “Drama World” located in Qingyun Hutong, Beijing.
It is also the bustling crowd gathered around a stage…
In addition to buying and selling, there are many possibilities for activities in the fair, such as temple fairs on major festivals, blind dates between young men and women, drying grain, stage performances, public gatherings, children’s games, popular science propaganda, etc.
Artists put different scenes or narrate different stories to convey personal ideas or opinions.
At night, the light band hidden in the structure draws a soft curve, like the starry sky at night giving the Hakka village a place of hope.
Stalls can be set up on the market day, and they can become the place for daily activities of the town residents during the slack season on the non-market day.
The designer provides villagers with flexible space that can accommodate various activities.
The reconstruction project affirmed and respected the historical diversity of the real remains, and the conflicts between damaged and intact, red brick and gray brick, workshop and courtyard were contained and even strengthened.
The sense of space ritual of Yunxi Museum and the daily life of the hot spring hotel stimulate each other.
Located in the south of the Forbidden City of Beijing, Qianmen District has witnessed the rise and fall of Beijing for hundreds of years.
It strengthens the mysterious and romantic experience away from daily life.
In the daytime, nearly 5000 pipes form a soft and fuzzy space boundary, weaken the surrounding cold concrete buildings, and provide visitors with a meditation place to talk with the sky.
With design aesthetics to enhance experience and design aesthetics to help environmental protection, Yunxi Museum has considered and explored the constituent attributes of the design hotel through the rich content of immersive design aesthetic space experience, architecture-centered overall design, and normalized theme exhibition.
03 The place of spiritual healing when the building is immersed in the intense situation of light and color, who can not be moved by it? Yunxi Museum Hot Spring Hotel, located in Tangshan, Nanjing, is such a place.
“The emotional expression in the emotional art carried by architecture refers to the formation of” character “through the translation of specific personality and emotion Element of.
The site is sandwiched in the common contradictions of order and chaos in the township buildings.
Like other art forms, emotional expression can also become one of the important themes in architectural design.
In addition to elaborately designed space and light, the immersive design aesthetic experience also expresses the dialectical relationship between human beings and nature through the text of Tangshan Great Earth History and Human History at important space nodes.
.
Originating from the existing historical accumulation, this place is positioned as the fusion of Hutong space and drama culture, which injects power into the revitalization of surrounding communities and cities.
The juxtaposition of the newly built residential area for poverty alleviation and resettlement in different places in the north of the site and the closely distributed residential houses in the west reflects the typical spatial texture under the dual role of top-down and bottom-up in the current township planning.
So how does architecture express emotion? 01.
Renew the context of the venue 01.
Its south courtyard was the place where Mei Lanfang, the master of Peking Opera, lived a hundred years ago.
The design continues the Hakka traditional courtyard space, and abstracts the traditional culture of dyeing and weaving and hanging silk into architectural space.
The cassava architecture hopes to abandon the traditional figurative expression and use abstract geometric forms and simple materials to create simple and pure space, penetrate the visual decoration of the surface and strike the soul of the audience.
Record the disappearance of daily life 02.
The “Tianyuan”, located in Shenzhen, leaves a touch of silky memories to the Hakka village.
02 The ultimate homesickness transmission high-speed railway arrives at Tai’an Station, and you can see the continuous advertisements about “hometown” – “the month of hometown”, “the cloud of hometown”, perched on the Jiunv Peak in the margin of Mount Taishan, which seems to be called “climbing the clouds”.
Courtyard 23-29, Qingyun Hutong, located in the east of Qianmen, is a miniature imprint of this grand epic.
The designer HAS Design and Research keeps the Hakka aesthetic legend and regards the Tianyuan as a gift to the Hakka village.
In addition to being a shining city card, it sits quietly and silently on the Jiunv Peak, listening to the homesickness of every traveler.
Record the disappearance of daily life In the context of today’s rapid development, more and more “daily” are disappearing.
“The clouds and the moon are the same, and the streams and mountains are different.” The catalyst that can evoke homesickness can have nothing to do with the place; The architectural poems about “moon” can have nothing to do with symbols.
It is both a hotel and an art museum.
Through the introduction of the contents of Tangshan’s geological history and human history, create a sustainable and inspiring immersive space scene.
Transmit the ultimate homesickness 03.
What kind of daily life is it? It is the whole family, old and young, who go to the town market to buy together.
At night, there was a sound of “the moon is the hometown of Ming”.
It overcame the constraints of formalism and used a considerable, accessible, usable building with spiritual value and operational value to activate new resources for the countryside.
The project is located on the main axis of Shenzhen Dawanshiju, with a history and culture of more than 200 years.
Many ceremonies born in the countryside have been scattered with the wind, but the needs of the people for the feeling of the ceremony have not changed at all.
