The middle part of the room is equipped with a ground stove for boiling water and ordering tea.
It provides a stage for tea people to hold tea activities.
On this basis, he changed the tea ceremony architecture and formed Murata Zhuguang style grass nunnery style tea room.
The simple style has laid the tone of the “grass nunnery style” of tea ceremony architecture.
The “shaoou style tea room” is more concise and simple, and can better reflect the idea of nothingness in Zen.
II.
tea ceremony architecture (I) interpretation of tea ceremony architecture tea ceremony architecture is divided into two parts: tea room and tea court.
They show off their wealth and status in the form of tea fighting.
Tea ceremony architecture is the product of Japanese traditional culture.
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In this period, the country was dominated by the warrior class.
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Takeno shaoou, a master of tea ceremony after Murata Zhuguang, innovated the tea ceremony architecture with his own tea ceremony concept.
Some people evaluate that “tea culture” is the fifth largest invention dedicated to the world after the four major inventions, which shows the importance of tea culture.
At that time, tea drinking activities were entertainment.
He continued to simplify the interior decoration and reduced the area of the teahouse.
In the Muromachi era, the custom of drinking tea was popularized from top to bottom.
Later, with the development of Japanese tea ceremony culture, tea ceremony masters poured new artistic needs into tea ceremony buildings, so that tea ceremony buildings not only completed their own inherent spatial functions, but also carried more and more spiritual needs.
Japanese tea was introduced in the era of Nara and Heian.
The tea room is made of four and a half tatami, and the roof is a treasure shaped roof made of small wooden boards.
This form of tea ceremony architecture is developed from the tea ceremony architectural form made in the main hall.
The place of “tea fighting” activities is a relatively large space in the samurai residence, which can also be used for other activities.
Japanese tea ceremony architecture is gradually formed with the formation and development of tea ceremony culture.
As architecture itself, it also belongs to the category of culture.
From its birth to the present, this architectural form has experienced the baptism of years and the changes of the times, and has developed into a colorful artistic form.
With the development of tea ceremony culture and the transformation of different tea ceremony masters, the architectural form of Japanese traditional tea ceremony can be finally formed.
During this period, qianlixiu further deepened the thatched cottage teahouse of Murata Zhuguang and takeno shaoou, forming a unique “lixiu teahouse”, which made a great contribution to the tea ceremony architecture.
The architectural form of tea ceremony in the Muromachi era.
Its initial function was simply as a place for people to drink and fight tea.
Traditional tea court Japanese tea court is produced under the joint action of many factors..
The form of architectural space is mainly made by the main hall and Wu family.
It has not only created a remarkable Japanese tea ceremony, but also built corresponding tea ceremony buildings.
I.
It is the most representative architectural carrier of Japanese tea ceremony culture and the most direct expression of Japanese tea ceremony culture.
As one of the “three ways” (tea ceremony, flower ceremony and calligraphy) in Japan, the status of tea ceremony determines the status of tea architectural space as the carrier of tea culture.
The importance of tea ceremony architecture is self-evident not only from the perspective of the world and the nation, but also from the Perspective of traditional status and modern influence.
It is the embodiment of the perfect combination of aesthetic value and practical value.
Any kind of architecture is not a personal product.
Among the lower class people, “cloud foot tea” and “sweat drenching tea” are the main forms of tea parties, “cloud foot tea” is generally held in the living room or kitchen of ordinary people’s houses; The construction site of the “drenching sweat tea” meeting is made of wood from the inside to the outside.
Later, Murata Zhuguang reformed the popular doucha and Shuyuan tea at that time.
The teahouse is the main body, and the tea court, as the periphery of the teahouse, plays a role in isolating the teahouse from the outside world.
Together, they have built a cultural landscape with unique Japanese national characteristics.
The real tea ceremony sprouted in the Kamakura era.
（2） Development history of tea ceremony architecture 1 The architectural form of tea ceremony in Nara and Ping’an era.
In Japan, the tea culture has flourished.
Tea culture originated from China is presented in different ways, means and form carriers in different countries.
With the birth of tea ceremony art, tea ceremony architecture, the material carrier of tea ceremony culture, also came into being.
In the continuous transformation and renewal of new and old, modern and traditional, we will find that the traditional Japanese tea court architecture is rich in high artistic aesthetic value and research value.
The external modeling characteristics and spatial environment layout of tea ceremony architecture fully reflect the connotation and essence of Japanese tea ceremony spirit.
The architectural forms of tea ceremony in the era of Antu and Taoshan.
In the upper class with warriors and nobles as the main body, tea drinking activities are mainly represented by the form of “tea fighting”.
Different classes held tea parties in different spaces and places.
At that time, the architectural form was mainly the building of the dormitory, so the building of the dormitory became the main place for tea activities in the Kamakura era.
In the period of Dongshan culture, the popular “tea fighting” in the previous period will be replaced by “academy tea”, and “academy made” has become the main form of tea ceremony architecture.
The “Cao’an style” tea ceremony architecture formed in this period has had a far-reaching impact on Japanese Hefeng architecture and Japanese modern architecture, and has become the essence of Japanese traditional architecture.
The three main elements of it are the bed, the bed flank and the Academy.
The teahouse changed from four and a half tatami to two and a half or even one and a half cottages.
The main hall is the simplification of the bedroom hall, and the Wu family is the simplification of the main hall.
Tea ceremony architecture is the product of the times, the product of society and the witness of the historical development of Japanese traditional tea culture.
It contains intangible cultural connotation in its tangible architectural form.
They liked to hold tea activities in their own mansion.
The walls of the tea room are made of clay, straw and other materials without any decoration.
It will complete tea activities with different architectural spaces in different historical periods.
The era of Antu and Taoshan is an era when Japanese tea ceremony culture is mature and established.
