Knock on the door beside Jinhua Architecture Park, a four white house


The earth yellow appearance imitates the masonry traces of Tuscany brick and stone buildings.

Due to the thickening of the wall, the door opening visually forms two nested rectangles, which increases the depth and blocks the line of sight to the maximum extent, so that the space can be visually independent of each other.

Instead, the added door and window openings are subtracting.

The white wall becomes the background, the background of life, the background of vision, and the background of the environment outside the window.

It took two years to complete the project.

They have visited Jinhua architectural art park many times.

Supplemented by the landscape design of “European classical gardens”, the path is winding, and the vegetation is dense and everywhere.

The residence is located next to Jinhua Architectural Art Park, where the works of architectural masters and natural landscapes are interwoven.

When you enter the room, the long entrance space guides you to look forward.

The outline of the necessary indoor components becomes the only element of the wall plane composition.

The ceiling is also a complete rectangle.

The entrance space organizes indoor functions.

The thickened wall opens the distance between different functions to define the primary and secondary.

White art paint adds fine texture to the wall surface, showing rich texture in the sun..

Rich colors give deep connotation” was prominently written in the project introduction.

What we can see is the simplicity and order brought by straight lines and orthogonality.

The towering black carbonized wood sliding doors on both sides enrich the visual level and enhance the sense of depth.

The picture shows viabizzuno lamp, Porro table and Cassina chair.

The visual information is reorganized.

In the picture, Wittmann coffee table is in front of the curtain.

All the troubles and trivialities that have just appeared in the sight are washed away by the minimalist spatial language and indoor colors.

The long entrance organizes various functions, and the black carbonized wood hides the entrance and storage space on the ground floor to adjust the visual rhythm.

At that time, most of the villas designed in China were shown in the appearance of European style “garden houses”.

The front is the living room, the left and right sides are the kitchen and the stairwell, and the shoe cabinet and the entrance of the basement are hidden behind the sliding door.

The long entrance organizes various functions, and the black carbonized wood hides the entrance and storage space on the ground floor to adjust the visual rhythm.

The visual level is enriched by different materials.

Comfort is the only appeal of the old couple.

The door is not framed, leaving a rectangular score and a metal handle on the wall.

The lamp becomes the only ornament.

Considering the old people’s habit of hoarding, the interior space of the wall is given the use function to integrate storage and reduce indoor storage furniture.

Independent and nested rectangular spaces.

This design Park, which gathered 17 top architects in the world, including Herzog de Mulong, Zhang Yonghe and Liu Jiakun, in 2004, once fell silent because it was too advanced, but it gradually recovered with the design power condensed therein.

The same is true of the residential area where the project is located.

As a mass, the wall is placed indoors and becomes an important element to shape the spatial level.

The huge walls wrap columns of different shapes and sizes, which regularize the indoor space into pure cubes.

The main functions of the living room, dining room and kitchen, which the residents stay for a long time, are arranged in an “L” shape on the plane and connected with each other through the rectangular door opening on the wall; The doors of auxiliary rooms such as toilet, basement, nanny room and garage are hidden on the walls of the first floor and staircase.

The residential area where the residence is located was completed in 2013.

The picture shows viabizzuno lamp and BD Barcelona chair.

The plants outside the window look farther than they actually are, which is a long distance to breathe a sigh of relief.

are hidden above the gap between the ceiling and the wall, without damaging the integrity of any interface.

Over the years, chaosprogram has changed from a visitor to a participant, contributing to the improvement of the quality of urban space, which is not far from the park.

The noise was shut out, and the world instantly became quiet.

“L” shaped wall, hidden door and storage space inside the wall.

Although Jinhua is not a popular second tier city, the two designers from Shanghai are no strangers to this place.

There is no difference in the quality of residential appearance and indoor space in cities of all sizes.

From the foyer to the living room, from the kitchen to the dining room, the process seems to pass through one small cube, which strengthens the walking experience of the indoor space without any trace.

After a passage and a door opening, you arrive at a window.

By reducing the ceiling height to limit the dining area, rectangular doors and windows of the same size communicate with indoor and outdoor spaces, and lamps and lanterns become indoor linear elements.

The “pure Baroque classic style…

The tracks of sliding doors and curtains, air-conditioning outlets, etc.

The straight suspender of overhead chandelier becomes a linear element on the plane, and a lamp is like a bean, embellishing the tail end.

Layers of rectangles shape the spatial sequence.

There are no trivial details on the surface, which is extremely simple.

The walls are white, the interface is flat and clear, and the ground is gray and wood.

The dotted windows, strip facades and chain stores that can be seen everywhere make Jinhua’s urban roads almost the same as any other second tier cities.

Round Bar Ferrule

“One side of a thousand cities” was used to criticize the urban landscape under the rule of modernism for its incompleteness.

As a volume, the wall is infinitely strengthened at the perception level of space; As an interface, it disappears at the visual level, and the visual focus becomes the window and the space itself.

Here, the redefined “wall” reshapes the order of indoor space.

The hole in the wall and the rectangular window at the end of the line of sight open the spatial level and form a powerful axis.

The plants outside the window sway slightly in the wind.

However, all this came to an abrupt end with the opening of the door.

In 2019, entrusted by a couple over 60 years old, chaosprogramme embarked on the interior design of a residence in Jinhua City, Zhejiang Province.

The multi-layer cornices, scrolls, moldings, pilasters and curved windows on the facade do all the complicated decoration.

Cultural buildings, commercial centers and other landmarks are generally highly recognizable, What really makes people wonder where they are is the residential areas.

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