Xi’an is an ancient cultural capital with a history of thousands of years
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It is also a city full of vigor and vitality
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In recent years, Xi’an’s “new landmarks” have sprung up like mushrooms, which is the best mark of urban change
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Under the refreshing and magnificent appearance, what little-known sparks have designers collided with Xi’an? Therefore, Xiaobu visited many design teams, and today Xiaobu will take you to “look inside”! In the countdown to the 14th National Games, the “three centers” of Xi’an, which are composed of Xi’an International Conference Center, Xi’an International Convention and Exhibition Center and Xi’an Olympic Sports Center, are perfectly presented this year, and the integration of Xi’an elements is also indispensable
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Key design elements of Xi’an International Conference Center: the facade of Xi’an city wall, Tang Dynasty jade and bronze mirror International Conference Center is made of natural stone, and the stone wall highlights the elements of Xi’an ancient city wall
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The overall design style interprets and responds to Xi’an ancient city wall and urban texture with modern architectural language
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The “Xi’an details” in the conference center are also reflected in the lighting modeling
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The lighting design on the top of the main venue of the round table room takes the Tang Dynasty jade decoration as the theme
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The surface pattern of the lighting is combined with the Tang Dynasty bronze mirror, eight sunflower shaped, half round button, and four lotus flowers on the left and right, implying “more than two years in a row” and reflecting the theme of “win-win cooperation”
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The key design elements of Xi’an International Convention and Exhibition Center: terracotta warriors and horses armor, bronze texture, line of big wild goose pagoda, Tang daibao pattern, Xi’an ancient city gate
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The interior design of Xi’an International Convention and Exhibition Center continues the concept of “Millennium ancient capital and modern design co create symbiosis”
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The designer uses modern simple techniques to create a simple, bright and artistic space atmosphere for different theme activities Hosting provides a flexible scene space
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If you are careful, you can find that the traditional cultural elements of Xi’an, such as ancient architectural structure, terracotta warriors and horses armor, wild goose pagoda, bronze ritual vessels, are all reconstructed and reflected in the exhibition center
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In the public corridor and U-shaped corridor of the conference building of the Convention and Exhibition Center, the ceiling is made of hyperboloid aluminum plate to form the armor texture of the terracotta warriors and horses in Xi’an, which changes the rich spatial level through modeling
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The bronze door, carved with the grain of bronze ritual vessels, refines the outline lines of the giant Goose Pagoda and recombines them into a folded warm gray wall cloth, which not only sets off the solemn atmosphere, but also enhances the sound absorption effect
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The banquet hall on the first floor of the conference building of the Convention and Exhibition Center shows the profound connotation of “all things are rich and courteous” in the details
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The hot stamping soft bag is used at the door head to extract the ancient characteristic landscape symbols of Xi’an for picture creation
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On the ground, the patterns of Tang Dynasty treasure patterns are extracted
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The center is surrounded by eight petals of main flowers and the four sides are surrounded by four leaf patterns
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The overall shape reflects the artistic tradition of West Asia and Central Asia introduced into China through the silk road
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The exhibition hall of the Convention and Exhibition Center is magnificent, forming the commanding height of each exhibition hall
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The base of the exhibition hall is designed as a stone facade, which metaphors the formal language of the ancient city wall of Xi’an; the gate of the exhibition hall adopts a towering metal frame, which reproduces the theme of the city gate with modern design
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The roof adopts a more light and dynamic design, and the corrugated metal roof covers the exhibition hall like soft and elegant silk, reflecting the urban metaphor of Xi’an as the starting point of the silk road
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Key design elements of Xi’an Olympic Sports Center: dream of Chang’an, integration of ancient and modern
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Although the appearance of Xi’an Olympic Sports Center presents a modern style, many Xi’an elements are also used in its interior, reflecting the charm of urban culture
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Xiaobu learned that the overall building of the gymnasium takes “dream back to Chang’an” as the theme, and the interior design echoes with it, reflecting the charm of Xi’an as an ancient capital
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With modern art techniques, the interior design interprets the historical and cultural connotation of the ancient capital and shows its current prosperity
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The theme of the natatorium is “wave by wave new port”, combining with the architectural appearance elements, the natatorium presents the interior space with modern, technological and innovative design techniques, and the details highlight the modern and dynamic side of Xi’an city
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After seeing the Xi’an details of the stadiums, and of course the Xi’an elements of the cultural venues, it is worth discovering the key design elements of Shaanxi Grand Theater: Tang shape, Tang meaning and Tang color
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In 2017, Shaanxi Grand Theater was officially completed and opened to the outside world
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I believe many people are very familiar with it
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But did you know that his interior design also drew a lot of inspiration from Tang culture
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Designers use modern techniques to interpret the charm and style of the prosperous Tang culture
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Tang Style: when the rainbow clothes and feather clothes enter the theater, a huge spiral staircase, like the rainbow clothes and feather clothes in the mural, stretches its sleeves and comes face to face, forming the presentation and guidance of the theater space
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The design breaks the dull and rigid pattern of the rectangular hall space, integrates the image of music and dance in the Tang Dynasty into the interior construction, twists and turns in the flexible and light streamline, highlighting the artistry and drama of the space
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Tang Yi: the Shenglian Opera Hall is the most important part of the Shaanxi Grand Theater
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When you enter the Opera Hall, lotus, boat water and waves are swaying
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A touch of Chinese red is embellished under the screen of moon shadow and stars, giving the whole space a strong sense of ceremony
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Heavy bamboo and wood materials are used in the room
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The sky, wall and side fence become the carrier of the sky, lotus and water wave, which metaphors the gorgeous scene of “lotus in the sky”
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Tang color: Tang tricolor green glaze
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You may have watched a wonderful performance in the Theater Hall of Shaanxi Grand Theater, but you may not know that the comfortable seats are full of ingenious thinking to learn from the green glaze of Tang tricolor, and the details of color and the overall atmosphere are combined to create a surreal artistic conception
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Theater is the cultural epitome of a city
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It carries the history of the city and nourishes the charm of the city
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Of course, the Art Museum of a city is also Key design elements of Xi’an Art Museum: Chang’an City connectivity, Xi’an city wall antique gray brick
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Xi’an art museum is one of the most high-end art museums in China, and also one of the most flexible exhibition operation mechanism
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On the first floor of the art museum, the interior space is like a city
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The interior corridor is street like, completely open, and there is no primary or secondary entrance
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The corridors in the museum connect different spaces, many of which are designed with antique grey bricks, and some of them are designed with antique wall, which is more in line with the urban temperament of the ancient city of Xi’an
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As a “city of museums”, Xi’an ranks first in the country in terms of the number of museums
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In addition to the familiar large-scale museums, the design of the city’s characteristic museums also has a special charm
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The key design elements of the Tang Dynasty West City Museum are the reappearance of the west city ruins and the chessboard road network of Chang’an City in Sui and Tang Dynasties
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Taking the Tang Dynasty West City Museum as an example, its architectural design is to effectively protect the roads, stone bridges and ditches of the Sui and Tang Dynasties west city On the basis of the historical sites, the site of Shizijie and the original road pattern, scale, scale and atmosphere of Shizijie are protected and displayed
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Through the use of exhibition units with the size of 12m × 12M, the layout of “square” and the characteristics of chessboard road network in Chang’an city of Sui and Tang Dynasties are implemented throughout the space design of the museum
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At the same time, a series of new explorations have been carried out on the volume, scale, material, texture and color of the building, creating a high and low, rich and orderly spatial level and effect, restoring the real scale and spatial feeling of the historical streets in the Tang Dynasty
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Combined with the specially designed exterior wall materials, it shows the deep structure of the city and architectural culture of Chang’an in Sui and Tang Dynasties from the aspects of texture, texture and bearing, as well as the grand momentum and prosperous scene of the western city in Tang Dynasty.
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