The design of Nanshan Junning Hotel is not about replicating a traditional form, but about responding to the Chinese concept of creation with contemporary construction methods.
From the translation of “ancient” and “new”, to the aesthetic of “bone” and “form”, from the evolution of “form” and “meaning”, to the speculation of “manifestation” and “concealment”, a modern construction system of Chinese meaning and craftsmanship has been formed.
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The Guangzhou Museum of Art, guided by design, transforms green technology into the humanistic expression and climate strategy of architecture, proving that large-scale public buildings can achieve the unity of
Fuyang on the banks of the Fuchun River, formerly known as “Fuchun”, is also the final resting place of Huang Gongwang and the creative site of “Dwelling in Fuchun Mountain”.
The lines, grooves, or protrusions on the vertical facade will form rich layers of light and shadow with the change of sunlight angle – when the morning sun shines diagonally