The design of Nanshan Junning Hotel is not about replicating a traditional form, but about responding to the Chinese concept of creation with contemporary construction methods.
From the translation of “ancient” and “new”, to the aesthetic of “bone” and “form”, from the evolution of “form” and “meaning”, to the speculation of “manifestation” and “concealment”, a modern construction system of Chinese meaning and craftsmanship has been formed.
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